This is on top of all the other bits of bitesize content that had been added to the game before then, including a bunch of hotfixes, that aforementioned Nightmare difficulty mode, and the addition of community maps on console.
Recently, for example, the studio celebrated hitting its 10in12 milestone, which added 10 pieces of free, mini-DLC to Dying Light over the course of the last 12 months. To be held up in the same league as developers like those is no small feat but, by my estimations, Techland is right up there when it comes to post-launch support. True to its word, Techland has also stayed committed to curating Dying Light to a degree that few other developers can claim to match, with the kind of customer-first dedication that brings to mind equally attentive studios like CD Projekt Red or Blizzard Entertainment.
DO PEOPEL STILL PLAY DYING LIGHT DEMO HOW TO
No, it’s not exactly crap-your-pants levels of fear, but when you accidentally crash through a corrugated iron rooftop, and the runners scramble out of their manholes to swarm you in hordes, it’s hard to deny that Techland knows exactly how to wring horror out of the undead. Playing in Nightmare Mode only ratchets up the survival horror intensity, too, with even the most basic shufflers posing a threat to your character, and all the earned experience points they’re carrying with them. "Dying Light’s not just a unique and expertly crafted action adventure, it’s one of the best games of the generation." The eldritch, superhuman Volatiles which arise from their slumber every evening are great at making mince meat of your self-confidence, however long you’ve played, as their equally adept free-running skills means you’re no longer able to seek sanctuary atop Harran’s city skyline. I rarely, if ever, use a firearm in Dying Light, despite them inevitably being the more effective option in combat, simply because it feels so good to witness every ensanguined slash and bone-shattering crunch of the hand to hand fisticuffs.Īnd, best of all, I’m still getting scared silly by Dying Light. That sense of physicality extends to the combat too, which combines RPG-lite looting and crafting with hard and fast melee mechanics to create something that’s both challenging and endlessly satiating in equal measure. You need to look where you’re going, plan every step, and think (quite literally) on your feet, with the zombies being merely another hazard adding yet more tension to all the tightrope walking. The free-flowing momentum of parkour has never been captured this well in a video game before, but Techland also makes sure that Dying Light never lets you put the freerunning on auto-pilot, Assassin’s Creed style. Looking good is one thing, but it’s the way Dying Light plays at a granular level which makes the experience so addictive - and keeps it so fresh - at its core. I’m never not impressed by the way my character begins to uneasily swing when balancing at great heights, or the tactility of his hand animations during almost any interaction with the world, but Dying Light’s detailed production value is just one side to its success story as a lasting product. It’s the little things like the debris and dust that often floats past your character’s field of view, or the fact that you can explore so many buildings that other games might lock you out of, which together manage to do something enamouring with a typically tiresome colour palette of browns and yellows. Setting a big budget open world title in the Middle East (Harran is implied to be located in Turkey) was always going to be an ambitious but welcome change over the typically Western locales of similar games, but Techland make it look easy, capturing a distinct, local vibe that adds new tonal layers of horror and dread to the zombie genre.
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